I ’ve been lucky so far that it hasn ’t happened to me. They ’re not going to hear from you again. ’ The history of instrumentalists in pop is that you get a big hit and that ’s the end of it. “I remember when Duotones came out, and I had a hit with ’Songbird.
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“I ’m lucky, ” Kenny admitted in the Detroit Free Press. In truth, his rapid and seemingly effortless rise to success may be part of the reason critics and musicians come down so hard on him. In little more than a decade he went from being just another backup sax player to selling millions of records worldwide and, following an onstage jam with Bill Clinton, being billed as the U.S.
Kenny G is certainly one dreamer whose fantasies have come to life. Maybe I ’m a dreamer, but I think the ordinary guy has as much right to say, This is a good song ’ as somebody who is in the music business. People read these things and think that these are the people who know the most. “It ’s the intellectuals who write the reviews. “I don ’t think anyone has been exceptionally mean to me, ” he explained in Entertainment Weekly. Kenny himself tries to take it in stride.
In fact, critical disparagement seems to run inversely to Kenny ’s popularity.
The heaps of invective flung in Kenny ’s direction intensified when his follow-up, 1988 ’s Silhouette, went platinum. Ever since the release of the multimillion-selling Duotones in 1986, he has withstood a veritable onslaught of abuse from critics and fellow musicians alike. Soft-spoken saxophonist Kenny G is a lot tougher than either his boyish grin or his mild, atmospheric records would tend to suggest.
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